I lived through & partied for much of the early
1980s with Marc Almond as my
soundtrack, starting when I tasted his first leather clad success with Soft
Cell.
Peter Mark Sinclair Almond claims he was sexually
precocious as a young teenager & being gay was always a glorious
struggle, growing up, after his parents divorced, with his grandparents in
Yorkshire. In his song Trials of Eyeliner,
Almond recalls being hit as a makeup wearing teenager by his soldier father,
who on another occasion marched into his school, demanding to know whether his
son was gay. Another song- Lavender,
pays tribute to clandestine gay role models such as Dirk Bogarde. Almond: “difficult even now to come to terms with
these liberated times. I’m always fearful that it’s going to change any
minute.”
Artifice was the order of his day, from school, where he
would pretend to have girlfriends whom nobody met, to his 1980s stardom, when
he had “a PR company inventing girlfriends” for him. Almond: “You do get bruised and poisoned by your
time. People my age still feel they need to be private in their lives: ‘This is
my (nudge nudge, wink wink) special friend’.”
When he finished school, Almond studied music, dance
& performance art at Leeds Poly, & then moved to London with a
friend who was working as a hustler in Piccadilly Circus. In his memoirs Almond
talks openly about his sexuality & his past illicit drug use that led
to the demise of Soft Cell in the mid '80s. He is a crooner who strikes me as a
true artist in every sense of its meaning, charting his own course beyond the
fad of the moment. Almond works without compromise, making electro-pop, dueting
with Gene Pitney, singing French chansons, performing Russians love songs or
strutting down the stage on a VH1 fasion music show. He is still with the long
term boyfriend he’s been with for decades. Almond: “That’s always part of my life, but something that I never really
talk about.” About the only thing it seems. His 2 volumes are truly “tell-alls”.
My Marc Almond album favorite is 2007's Stardom Road. This collection features
many of the genres that Marc has been associated with over the years, including
the Torch Song; the 1950's crooners; the grand orchestral sounds of the
early1960's; the over the top glam rock of the 1970's & the
electro-style of the 1980's that made him famous as part of Soft Cell.
Stardom
Road is his 1st album since his near fatal motorcycle crash in
2004. The crash proved life changing, as near death experiences seem to be. It
features guest spots from Antony Hegarty of Antony & the Johnsons;
Jools Holland, & Sarah Cracknell from St Etienne, who duets with Almond
on the Dusty Springfield song I Close My
Eyes & Count To10. This
is a very moving & beautifully crafted album.
Backstage I'm A Lonely is a tribute to
the late Gene Pitney & it really is a tear jerker. The album is far
from maudlin, with tracks like Petula Clark’s upbeat tale of surviving against
the odds- Happy Heart. The only
original song- Redeem Me (Beauty Will
Redeem The World) is a fantastic tune. Almond has sworn to only record
covers, but he shows that he's still got great songwriting chops as well. Marc
has never sounded as upbeat as he does here. Kitsch, camp, melodramatic, yet
full of heartfelt emotion.
Drawing on cabaret, vaudeville, music hall & the
ghosts of his heroes Charles Aznavour & Jacques Brel, his work is as
witty & frank as he is;
& sometimes painful, sometimes indulgent. Almond looks the same:
well preserved at 54 years old, yet fragile; like something from a Tim Burton
Film: dyed black crop, black jacket & jeans, eyeliner, & faded
blue tattoos. His work is slightly twisted, cynical & dark while being
romantic & deeply personal at the same time. Nobody wallows like Marc
Almond. I adore him.


Oh Stephen, I just want you to play me records all night long. Of course I know Mr Almond but I want Stephen's musical tour of Marc Almond's work. I'm listening to Stereolab, one of my favorite bands, and drinking gin and tonics. Or should that be gins and tonic. Or gins and tonics. Please excuse me.
ReplyDeleteRonnie
I have always adored Mr Almond - he was the man whose own "out-there" bravado guided me through my own coming out, far more so than any Boy Georges, Holly Johnsons or Jimmy Somervilles. And, judging by the reviews of his performance at his 55th birthday concert last night, he is still very much "out there" and at the top of his tree... Long may he continue! Jx
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